Production and shoots
Origination for brands with nobody to film them. The partnerships this studio is known for come with their own crews, and that is where this page has to start.
The part most studios would leave out
Our main partners film themselves
For the three long-running post-production partnerships behind this studio, BUBI does not hold the camera. Those crews belong to the partners, in their own countries, and the work done here is directing them from a distance: format decisions taken before the shoot, microphone placement, where the lights go, a checklist to work from and somebody on the call while the set goes up. Real experience, and a different job from arriving with a crew.
The direction is the part that already exists
Everything this line will eventually wrap itself around is running today under its own name, described in the crafts next door. It has its own page because it is its own service, and it is the one with years behind it.
Origination is the part still ahead of us
Concept, set design, a studio day or a location, models where the work needs them: this is the line for a brand that has nobody to film it at all. The method is designed and the studio exists. The honest position is that our own record of running shoots is thin, which is exactly why this line is not open yet.
A shoot day planned for its second and third use
What a shoot day is supposed to produce
Assets with a long life: one day planned so its material can be adapted to several formats and platforms and used again months later. Concepts are agreed with the brand before the date is confirmed, and every frame is listed in advance so nothing is discovered missing in post.
Post starts the same week
Grade, sound and organisation while the shoot is still warm, with the notes taken on the day carried into the edit, including anything unexpected that broke continuity. Horizontal and vertical are organised from the beginning rather than converted at the end.
For the partnerships this studio is best known for, the camera belongs to the partner and the direction belongs to us.
Where our shoot experience actually sits.
What changes for you
Until this line opens, the honest offer is the one above it: your shoot designed, your crew briefed and somebody on the call while it happens, which is what those three partnerships have been buying all along.
Related: Pre-production consultancy · Remote direction · Product photography · Shot and b-roll lists · Camera and lighting setup
The audit reads what your current footage makes possible and what a directed shoot would add. The reading arrives in writing, before any commitment.
Request your free audit.
Three fields, and a written reading back: a fit snapshot, two or three prioritised opportunities, and a recommended next step.
A person reads the channel and writes the audit by hand: a considered read typically takes three working days. That is the usual shape, not a promised turnaround. We use these details only to reply to you: no lists, no lurking.
What you will get
A fit snapshot: where your channel stands, and whether we are a match.
Two to three opportunities: specific, prioritised, yours to keep.
A recommended next step, even if that step is not us.
The audit is free and commits you to nothing: nobody follows up with a call you did not ask for.
The casework shows all of this done.
The case studies are the same work with the numbers, the sources and the dates attached.
See the casework →