An editing timeline open on a laptop screen

Services

Video post-production

Editing, colour, sound and delivery, coordinated around the way your brand makes video.

Built for

edits that eat the week, notes nobody actioned, channels that look assembled and footage you cannot reuse.

The short version

What you get. Finished videos made to your brand’s agreed standard, with reusable delivered assets and a clear handover.

Is this for you? If editing is eating your week and every video has to be made to one standard and still reusable a year later. Not for the cut alone; that is the video editing page’s line, and it says where the cut stops.

What leaves your plate. Assembly, pacing, colour, type, sound and delivery as one coordinated process. Packaging is included where it is part of the scope.

Start with the Free Audit.

One process from assembly to delivery

We explain the decisions through the work: the match between cameras, a phrase preserved in the cut or a change worth testing against retention. One dated, sourced example is here.

The whole line runs to one written standard

Every partner gets a document that says how their videos are made: colour references, pacing rules, type, subtitle style, the phrases they would never say. It is why the fiftieth video looks as deliberate as the first, and it is why a change of editor is an inconvenience rather than a crisis.

Decisions that interlock are taken together

We coordinate choices that affect each other: packaging with the edit, sound with capture and vertical requirements before the wide version is locked. Where other suppliers are involved, those decisions are shared with them. The work can also be delivered white-label, as it was for one web design agency.

Twelve crafts, each with its own page

The cut itself is video editing; the twenty-minute piece is long-form editing; the 9:16 rebuild is vertical editing and the short cut from it is Shorts and Reels. Colour grading matches the cameras; titles and motion carry the words on screen; subtitles are timed and placed; hooks decide the first seconds; multi-camera editing makes three rooms one; subject tracking keeps the detail sharp; music is licensed per piece; delivery exports to a written law. Each page says what that craft decides and where it stops. This page says why they run as one.

The project outlives the delivery

Nested and named angles, text-free masters, a written export law, an archive rather than an overwrite. Repurposing is a decision taken at the timeline months before anybody asks for it.

The hand-offs between crafts

Assembly before finish

Angles nested and named, audio inside the main angle, pacing settled before anything is graded, because grading a cut that is about to change is work done twice. The detail of the cut is on the video editing page.

Finish to a written law

Colour matched to one reference angle, type from a reusable project, music licensed per piece, then export to a per-partner specification agreed at the start. Each of those has its own page under this line; here they are one sequence.

At the bench

The work, demonstrated

Try a decision from the craft: drag, tap or toggle, then read the trade-off.

These are illustrative models; no partner’s results are shown.

More demonstrations at the bench →

Open project. Eight things a handover can hold. Finished exports, text-free masters, footage we shot and rendered graphics are included.

The finished file.
Editable timeline, if separately agreed. Confirm the application, version and dependencies before agreeing an editable handover.
Footage we shot, named and organised. Relinked footage is the difference between an afternoon and a fortnight.
Layered graphics files, if separately agreed. Rendered graphics can be repositioned; changing their wording needs new artwork or the separately agreed source files.
Music licence records and usage terms, in your folder. This is the one that matters at nine on a Sunday.
Colour notes and editable grade, where agreed. A finished master can be adjusted, but it does not preserve every source grading decision.
The subtitle file alongside whatever is burned in. A burned-in caption cannot be corrected or translated. The separate file can be both.
A written note on where everything is. Written for somebody who has never met us, because in a year that is who opens it.

A finished export can be enough for publishing.

Check your delivery against the written scope. The files needed to publish and the files needed to rebuild an edit are different.

Editable timelines, layered artwork and their dependencies must be scoped separately. Agree them at the start or request a later quote. Licence restrictions still apply.

Finished exports and text-free masters support later use. If the next editor needs the working timeline or layered graphics, we agree that handover and fee separately.

What changes for you

The edit stops being the thing that eats your week. The standard that used to live in your head now lives in a document, so a good result no longer rides on whether you had time to check one. You give a direction and get finished work back rather than a pile of files waiting on your notes, and the version of your channel that exists a year from now is one somebody else could keep making without you in the room.

Send recent videos. We will review the edits and reply with the changes we would prioritise.

A quick fit check

Request your Free Audit.

Three fields, and a written reading back.

Received. We reply in writing, usually within three working days.

That did not send. Try once more, or write to us instead.

Your audit usually arrives within three working days. We use your details only to reply to your enquiry.

What you will get

✓

What is working, what could improve and whether we can help.

✓

Two or three priorities, with the reason for each.

✓

A recommended next step, even if that step is not us.

There is no obligation to continue. We only arrange a call if you ask for one.

See the audit template·the scoring criteria

The work, written up

The case studies keep their dates, sources and limits visible.

See the casework →